For the last couple of nights I’ve gotten in the bed really early; I’ve just felt a little congested and tired and sinus-y and whatnot. However, since I’ve struggled a little bit with insomnia lately, I didn’t worry too much about the fact that I wasn’t feeling quite normal because THE SLEEP, OH MY WORD THE SLEEP, IT HAS BEEN SO GLORIOUS. In fact, last night it wasn’t even 10 o’clock when I drifted off to sleep while listening to the melodious sounds of Alyssa Milano talking about a lather-free shampoo hair care system.
And yes, that totally means that I was watching an infomercial. Aye, and proudly.
However, in my defense, I have long been drawn to infomericals that feature exciting new hair care products. For example, does anyone remember the Lori Davis system in the 90s? I never ordered it, of course, but it appeared to work miracles in the areas of de-frizzing and manageability. Plus, Cher was featured on the Lori Davis infomerical, and her presence alone was enough to make a believer out of my early-20s self. I mean, hello? Did you see Cher’s post-makeover hair in Moonstruck? It was SPECTACULAR.
Anyway (SWEET MERCY how I ramble), when I woke up this morning I wasn’t feeling well at all, and by lunchtime I had a terrible, horrible, no-good, very bad headache. I typically only get headaches when I have a sinus infection, so I decided to go ahead and call the doctor like the grown-up I am and make an appointment for him to drill holes under my eyes in the hopes that that would relieve a little bit of the pressure. Not that I was feeling a sense of urgency or anything. And I certainly wasn’t going to insist that he drill holes under my eyes. I would have been just as happy for him to make good use of a small but effective anvil.
I showed up for my appointment a little early, and thankfully the nurse called me back right away. A few minutes later my doctor came into the exam room and grabbed his trusty head lamp and some sort of prong-y implement so that he could see what was going on with my sinuses. He initially looked so alarmed by the state of my sinus cavities that I halfway wanted him to scream “SWEET FANCY MOSES” just to lighten the mood a bit, but it only took him about six seconds to figure out that I do indeed have a mighty lively sinus infection. Even better was the fact that when the doctor was trying to see what was going on, he used the prong thing to press down on an area that must be really swollen because, y’all, when I inhaled I felt a WHOOSH of air surge through my right nasal passage, and I’ll tell you what: IT WAS REFRESHING.
LIKE A COOL MOUNTAIN BREEZE, IT WAS.
Long story endless: I got a shot and a prescription and my head feels so much better already. As much as I don’t like taking medicine (a trait I come by honest, thanks to my daddy), it’s just the nicest thing ever when the medicine starts to work. Very grateful for that.
And if you’ll bear with me, I’d now like to share something that’s completely unrelated to all that stuff that I just told you. Not that the lack of any sort of cohesive narrative structure has ever stopped me before.
I was in junior high, I think, when “Footloose” came out. I remember going to see it at the theatre with my youth group, but the main thing I remember about that night is that my youth group friends Hallie and Beverly talked ALL. THE. WAY. THROUGH. THE. MOVIE. And I don’t mean that they whispered. I mean that they hooted and yelled and laughed hysterically. I have a vivid memory of Hallie turning around to have a conversation with someone who was about three rows behind her, but the movie? Sort of foggy. As much as I adored the soundtrack and knew every single word of every single song, my only lasting mental images from the movie are John Lithgow screaming the word “PIT” in his sermons and the last dance scene. The end.
Inspiring, isn’t it?
Well, yesterday someone reminded me of a real “Footloose” treasure – A TREASURE, I TELL YOU – and when I watched it I was overcome with delight and joy and merriment and thanksgiving. Oh, today’s movies might have more sophisticated scripts and better special effects and superior production values, but I dare say they cannot touch 80’s movies in the area of The Angry Dance. They can’t come close. Because this angry dance? From “Footloose”? IT IS EPIC.
Please do to enjoy.
That’s poetry in motion, my friends. Poetry set to the music of a sah-weet saxophone.
It just doesn’t get any better. And personally I think we should all walk away from Kevin Bacon’s Angry Dance and feel a renewed sense of determination to perfect our aerial (and also one-handed) cartwheels.
It’s the least we can do to honor his Angry Dance legacy.
IT’S THE LEAST WE CAN DO.
Love,
Me






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