When I was growing up, I knew from an early age that my mama and daddy didn’t share the same taste in music. There was some common ground, of course – they both enjoyed standards from the 50s and 60s – but Daddy mostly listened to country music (Charlie Pride, Ray Stevens, Willie Nelson, and the like), while Mama preferred classical music. Or pop classical, at least.
Music Box Dancer, anyone?
Oh, my mama loved it. She also loved the soothing stylings of Ferrante & Teicher, a piano-playing duo whose eight-track tapes filled Mama’s Ford LTD glove box to overflowing.

Wouldn’t you love to know where they got those jackets? And those wigs?

Mama always claimed that it was “sooooo relaxin'” to listen to instrumental music in the car, and I think she was right considering that I typically wanted to take a nap after listening to one of her eight-tracks for five whole minutes. What I couldn’t understand, though, was why she enjoyed that music as much as she did. It just sounded so boring to me. Plus, I was more than a little aggravated that I couldn’t listen to my music from Xanadu or Grease while we ran our errands. Thankfully I had an older brother and sister who loved to listen to The Doobie Brothers and Kenny Loggins and James Taylor and Earth, Wind & Fire, but if I was riding in the car with Mama, I might as well accept my pop classical piano music fate. She adored it.
And really, why wouldn’t she?
That’s my musical heritage, y’all.
Like most children, I vowed and declared that when I was a grown-up, I would never listen to instrumental music in the car. I told myself that when I became a mama, I would be sure to listen to really cool music that kids would also like. You know, awesome stuff like The Theme from “The Greatest American Hero” and Jessie’s Girl. Or maybe even Tainted Love if I was feeling particularly sophisticated – since the people who sang it had fancy British accents and all.
When our little guy was born, I really did make a point to be Very Intentional about what we listened to in the car. We wore out some Veggie Tales CD’s until he was about four, and then we gradually made the switch to Christian music – mostly praise and worship. Eventually we added our favorite singer / songwriters (Dave Barnes, Ben Rector, Gabe Dixon) to the mix, plus bands like NEEDTOBREATHE and The Fray. I’ve always used sports talk radio as a fall-back if I wasn’t in the mood for a sing-along, but over the last year I’ve noticed that the language has gotten increasingly colorful and not so appropriate for little ears. I’ve tried listening to Christian talk radio, but to be honest it’s a little difficult for me to get interested in a radio host’s thoughtful analysis of dispensationalism when I’m trying to run five or eight errands in a 90-minute window between school and soccer practice.
(And listen. I know that right now some of you are probably thinking, Why do you have to listen to anything? Why not just ride around with the radio / CD player / iPod turned off? Why not just enjoy some silence?)
(Well. Because that solution would be way too simple. And also way too quiet. That’s why.)
A few weeks ago I decided to hit the “scan” button on my radio and see if there was something new or different that might work as a more laid-back listening option, and I ran across a jazz station that’s run by Samford University. I figured I’d give it a try, and I have to say that much to my surprise, IT IS A DELIGHT. There are no screaming DJ’s, no commercials – just “Birmingham’s Smooth Jazz.” The little guy has been a good sport about it, even though a couple of days ago he reminded me of my own eight year-old self when he said, “Gosh, Mama – we sure have been listening to this music a lot lately.” But I’ve been surprised by how much I enjoy the fact that there aren’t any lyrics; it’s a nice change of pace, especially in the mornings.
Today we were on the way to school, chatting on and off while my new favorite station played softly in the background. We had just pulled up to a stop sign when I thought, Hold on. That sounds a little familiar. I think I might know that song. And when I turned up the volume, this is what I heard.
WAY TO ROCK IT, MAMAW. I mean, I don’t know what kind of full circle moment it is when you start listening to the jazz / easy listening version of music from your junior high days, but I confronted that milestone this morning. And I’ll have you know that I not only confronted that milestone; I walked around it, stared at it awhile, wondered how I felt about it, then threw my arms around it and happily embraced it for several minutes. Because regardless of how much I loved George Michael’s music when I was a teenager, it turns out that an instrumental version of his songs suits my 40s just fine.
And while I can’t say for sure, I have to admit that there’s at least a small possibility that I’m going to hop on the iTunes in the next day or two and see if there’s any Ferrante & Teicher music I need to download.
Clearly Mama was on to something. And as much as it kills me to admit it, I’m guessing that it probably would be “sooooo relaxin'” to listen to them now.













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